Search and Destroy

Title: Reimagining a Legend: A Deep Dive into Atsushi Kaneko’s ‘Search and Destroy’

In the vast landscape of contemporary manga, few projects are as ambitious or as visually arresting as Search and Destroy. Created by the visionary artist Atsushi Kaneko, this series is not merely an original work but a radical, punk-rock reimagining of one of the most foundational stories in manga history: *Dororo* by the "God of Manga," Osamu Tezuka. Published as part of the *Tezucomi* project to celebrate Tezuka’s 90th anniversary, *Search and Destroy* transforms a feudal supernatural tale into a gritty, dystopian cyberpunk masterpiece.

Demographic and Context

*Search and Destroy* is firmly rooted in the Seinen demographic. Unlike the more traditional Shonen tropes of its predecessor, this manga leans heavily into mature themes, graphic violence, and complex social critiques. It was serialized in *Tezucomi* and later collected into three volumes. For fans of Kaneko’s previous works like *Bambi and her Pink Gun* or *Soil*, his signature high-contrast, American-underground-inspired art style is on full display here, making it a visual outlier in the industry.

The Plot: A Quest for Wholeness in a Broken World

The story is set in the sprawling, decaying metropolis of Hachisuka, a city reeling from the aftermath of a devastating war. In this world, the line between human and machine has blurred to the point of extinction. The city is inhabited by "creatures"—beings who have replaced so much of their flesh with machinery that they have lost their legal status as humans.

The narrative follows Hyaku, a mysterious and fiercely violent girl whose body is almost entirely composed of prosthetic limbs and mechanical weaponry. Hyaku is on a singular, bloody mission: she is hunting down the 48 "creatures" who stole her original human body parts. Each time she destroys one of these elite robotic entities, she miraculously regains a piece of her humanity—a lung, an eye, a patch of skin.

Accompanying her is Doro, a scrappy, street-smart orphan and thief who survives on the fringes of Hachisuka’s underworld. While Hyaku provides the raw, unbridled rage and combat prowess, Doro provides the emotional grounding and a window into the systemic poverty of the city. Together, they navigate a landscape of corrupt officials, mechanical monsters, and desperate survivors, all while Hyaku’s "search and destroy" mission threatens to level the city itself.

Core Themes: Humanity, Revenge, and Social Decay

At its heart, *Search and Destroy* explores the philosophical question: What defines a human being? In Tezuka’s original *Dororo*, the protagonist sought to reclaim his body from demons. In Kaneko’s version, the "demons" are the elite of society who have used their wealth to literally steal the life and limbs of the marginalized to achieve immortality or perfection. This shift turns the story into a biting critique of class warfare and social inequality.

The theme of identity is also paramount. As Hyaku regains her organic parts, she doesn't necessarily become "happier." Instead, she experiences the pain, vulnerability, and sensory overload that comes with being flesh and blood. Kaneko masterfully portrays the irony that in her quest to become "whole," Hyaku must become a monster of destruction.

Furthermore, the manga tackles the legacy of war. Hachisuka is a city built on trauma, where the "creatures" are often veterans or victims of a conflict that the ruling class has already forgotten. The mechanical augmentations serve as a metaphor for the scars of war—permanent, cold, and dehumanizing.

Visual Style and Atmosphere

One cannot discuss *Search and Destroy* without praising Kaneko’s art. Eschewing the typical screentones of mainstream manga, Kaneko uses bold, heavy blacks and stark whites. The character designs are grotesque yet beautiful, echoing the "Heta-uma" (bad-but-good) aesthetic while maintaining a cinematic flow. The action sequences are visceral and kinetic, capturing the mechanical crunch of metal against bone with startling clarity.

Conclusion

*Search and Destroy* is a must-read for any "otaku erudito" looking for a series that honors the past while aggressively forging its own path. It is a loud, angry, and deeply moving tribute to Osamu Tezuka that replaces the swords and sorcery of the Sengoku period with the grease and gears of a cyberpunk nightmare. If you are looking for a Seinen title that combines philosophical depth with top-tier underground art, Hyaku’s journey for vengeance is a journey you cannot afford to miss.


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